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Although Aiden and Jochen’s story in On Wings of Song begins when they meet during the Christmas Truce in 1914 during WWI, it is not just a story about war. It is also about two men finding themselves, and each other.
One of the reasons I enjoy writing stories set during—or after—a war is that I can explore how it impacts on not only those who fought, but society as a whole. What the men and women went through was horrific. However, that is not the focus of the story, but the beginning. Books have been written set in the midst of battles and telling the story of those in detail, complete with blood and guts. I try to give a glimpse of it, of the moments that impacted my characters, rather than show every battle, including the gory details.
I love exploring history. Society and technology may change, but people don’t. They still live and love, and need encouragement to follow their dreams. I don’t believe that anyone truly wins a war. Both sides suffer physically and emotionally, which is why this story is told from the perspective of Aiden—who is British—and Jochen—a German.
This is a story that, although it begins during a war, is about a shared love of literature and music between two men who have the potential to be friends and more.
Six years after meeting British soldier Aiden Foster during the Christmas Truce of 1914, Jochen Weber still finds himself thinking about Aiden, their shared conversation about literature, and Aiden’s beautiful singing voice. A visit to London gives Jochen the opportunity to search for Aiden, but he’s shocked at what he finds.
The uniform button Jochen gave him is the only thing Aiden has left of the past he’s lost. The war and its aftermath ripped everything away from him, including his family and his music. When Jochen reappears in his life, Aiden enjoys their growing friendship but knows he has nothing to offer. Not anymore.
“I’ve seen it,” Aiden said quietly. “I wish to God I hadn’t.” He looked directly at Jochen. Jochen met Aiden’s gaze. He’d seen an echo of Conrad’s fire in Aiden when he’d talked about his music earlier that afternoon.
“Don’t die on the wire, Aiden.”
“I’ll try not to.” Aiden’s words were an empty promise. They both knew it, but what else was he going to say?
The red-haired man Aiden had spoken to about arranging the burials walked over to him. He too held a shovel, and he wiped perspiration from his brow despite the cold. “There’s going to be a combined service for the dead,” he told them. “In about ten minutes in no man’s land in front of the French trenches.”
As they made their way over, men were already beginning to gather, soldiers from opposite sides sitting together, conversation dwindling to a respectful silence. A British chaplain stood in front of them, a Bible in his hand, a German beside him. Jochen recognized him, although he didn’t know his name. The young man was only a few years older than Jochen and was studying for the ministry—would he ever get the chance to complete those studies?
Jochen and Aiden found somewhere to sit a few rows back from the front and joined the company of men. The German spoke first. “Vater unser, der du bist im Himmel. Geheiligt werde dein Name.”
The British chaplain repeated the words in English. “Our Father who art in Heaven, Hallowed be thy Name.”
They then spoke a few words each, some from the Bible, the rest from their hearts. Their congregation was silent apart from a few quiet “amens.” Jochen saw a couple of men wipe tears away. He was close to it himself.
Finally the chaplain bowed his head in prayer. When he’d finished, he spoke quietly to the man who had come to stand next to him. It was Captain Williams. He nodded and looked over the crowd, his gaze fixing on Aiden.
Aiden must have guessed what Williams wanted. He inclined his head in response and then stood. Jochen glanced between the two men, confused. What did Williams expect Aiden to do?
“Aiden?” Jochen asked softly.
Aiden smiled at him and began to sing. “O Holy Night, the stars are brightly shining….” He lifted his head, his voice strong and clear, each note building on the last to create something truly beautiful, something angelic. Aiden’s eyes shone; his body swayed slightly in time with the music. He was the music.
His audience sat in awe. Jochen could feel the emotion rippling through the men around him, tangible, as though he could reach out and touch it. He felt something inside himself reach out, wanting to be a part of it, to be carried along the wave of pure music, to grab it and never let go.
Anne Barwell lives in Wellington, New Zealand. She shares her home with two cats who are convinced that the house is run to suit them; this is an ongoing “discussion,” and to date it appears as though the cats may be winning. In 2008 she completed her conjoint BA in English Literature and Music/Bachelor of Teaching. She has worked as a music teacher, a primary school teacher, and now works in a library. She is a member of the Upper Hutt Science Fiction Club and plays violin for Hutt Valley Orchestra. She is an avid reader across a wide range of genres and a watcher of far too many TV series and movies, although it can be argued that there is no such thing as “too many.” These, of course, are best enjoyed with a decent cup of tea and further the continuing argument that the concept of “spare time” is really just a myth.
Anne’s books have twice received honorable mentions and twice reached the finals in the Rainbow Awards.
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